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Stanley Kubrick Companion

Author: James Howard
Publisher: B.T. Batsford
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Describes Stanley Kubrick's works from "Spartacus" to "Full Metal Jacket," and examines his eccentric personality as reflected in his films.


Kubrick

Author: Michael Herr
Publisher: Grove Press
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A screenwriter and author of Dispatches provides a firsthand portrait of his friend and colleague, Stanley Kubrick, describing the life and career of the legendary director, dispelling myths about him, and reflecting on his seminal influence on the world of filmmaking. Reprint.


Stanley Kubrick

Author: Gary D. Rhodes
Publisher: McFarland
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Seventeen essays examine the career and films of director Stanley Kubrick from a variety of perspectives. Part I focuses on his early career, including his first newsreels, his photography for Look magazine, and his earliest films (Fear and Desire, Killer’s Kiss). Part II examines his major or most popular films (Paths of Glory, The Shining, 2001: A Space Odyssey). Part III provides a thorough case study of Eyes Wide Shut, with four very different essays focusing on the film’s use of sound, its representation of gender, its carnivalesque qualities, and its phenomenological nature. Finally, Part IV discusses Kubrick’s ongoing legacy and his impact on contemporary filmmakers. Instructors considering this book for use in a course may request an examination copy here.


Stanley Kubrick

Author: Paul Duncan
Publisher: Taschen
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This a highly illustrated guide to the work of film director, Stanley Kubrick.


Masters of Cinema Stanley Kubrick

Author: Bill Krohn
Publisher: Phaidon Press
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Orson Welles (USA, 1915-1985) was a complete auteur, a brilliant director and scriptwriter, a prodigious actor of memorable physique and a figure of legend. He began his directing career in 1940, at the age of twenty-five, with Citizen Kane, an undisputed, ground-breaking masterpiece of cinema history. Welles’ stature as a baroque, impetuous and profoundly free artist made the studios uncomfortable. He had control of every detail on the twelve feature films he was able to make, including Lady from Shanghai with Rita Hayworth (1947), Touch of Evil with Charlton Heston (1958), adaptations of Shakespeare’s plays including Macbeth (1948) and Othello (1952) and Kafka’s The Trial (1962). Orson Welles remains a unique figure in cinema history and a real source of inspiration for future generations of film-makers.


The Philosophy of Stanley Kubrick

Author: Jerold J. Abrams
Publisher: University Press of Kentucky
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In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism -- the belief that philosophical truth has meaning only if it is chosen by the individual -- has come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick's films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick's war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fears -- especially the fear of death -- when facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick's interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick's films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. Taken together, the essays in The Philosophy of Stanley Kubrick are an engaging look at the director's stark vision of a constantly changing moral and physical universe. They promise to add depth and complexity to the interpretation of Kubrick's signature films.


Stanley Kubrick

Author: Nathan Abrams
Publisher: Rutgers University Press
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Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.


Stanley Kubrick Director

Author: Alexander Walker
Publisher: W. W. Norton & Company
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Illustrated with eight pages of color and black-and-white photographs, an expanded edition of a study first published in 1971 follows the career and directorial techniques of Stanley Kubrick, including his last picture, Eyes Wide Shut. Reprint. 10,000 first printing.


Stanley Kubrick

Author: Randy Rasmussen
Publisher: McFarland
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Stanley Kubrick had a great talent for creating memorable images—such as his famous jump cut from a bone tossed into the prehistoric sky to a spaceship orbiting the earth in 2001. Like the composer of a great symphony, Kubrick also had the ability to draw his memorable moments into a lyrical whole. Balancing harmony with discord, he kept viewers on edge by constantly shifting relationships among the dramatic elements in his movies. The results often confounded expectations and provoked controversy, right up through Eyes Wide Shut, the last film of his life. This book is an intensive, scene-by-scene analysis of Kubrick’s most mature work—seven meticulously wrought films, from Dr. Strangelove to Eyes Wide Shut. In these films, Kubrick dramatized the complexity and mutability of the human struggle, in settings so diverse that some critics have failed to see the common threads. Rasmussen traces those threads and reveals the always shifting, always memorable, always passionately rendered pattern. Instructors considering this book for use in a course may request an examination copy here.


Listening to Stanley Kubrick

Author: Christine Lee Gengaro
Publisher: Rowman & Littlefield
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In Listening to Stanley Kubrick, Christine Gengaro provides an in-depth exploration of the music that was composed for Stanley Kubrick s films and places the preexistent music he utilized into historical context. This book offers a thoroughly researched examination into the musical elements of one of cinema s most brilliant artists."