Release on 2017-05-08 | by Kim Huggens,Erik C. Dunne
Author: Kim Huggens,Erik C. Dunne
Pubpsher: Llewellyn Publications
Category: Body, Mind & Spirit
Revelations of truth and light await the reader of the Apokalypsis Tarot, the follow-up to Erik Dunne’s popular Tarot Illuminati. This book reveals the secrets of the cards--taking you from the Eleusinian mysteries of Greece to the deserts of ancient Egypt, from the beauty of classical Rome to the Shiva rituals of India, and many other pathways of the spirit found in the great mystery traditions of the world.
A decadent rock star. A deeply religious radio host. A disgraced scientist. And a teenage girl who may be the world’s last hope. From the mind of Chuck Wendig comes an astonishing tapestry of humanity that Harlan Coben calls “a suspenseful, twisty, satisfying, surprising, thought-provoking epic.” Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And, like Shana, there are other “shepherds” who follow the flock to protect their friends and family on the long dark road ahead. For on their journey, they will discover an America convulsed with terror and violence, where this apocalyptic epidemic proves less dangerous than the fear of it. As the rest of society collapses all around them—and an ultraviolent militia threatens to exterminate them—the fate of the sleepwalkers depends on unraveling the mystery behind the epidemic. The terrifying secret will either tear the nation apart—or bring the survivors together to remake a shattered world.
Apocalyptic Transformation explores how one the oldest sense-making paradigms, the apocalyptic myth, is altered when postmodern authors and filmmakers adopt it. It examines how postmodern writers adapt a fundamentally religious story for a secular audience and it proposes that even as these writers use the myth in traditional ways, they simultaneously undermine and criticize the grand narrative of apocalypse itself.