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The Action and Adventure Cinema

Author: Yvonne Tasker
Publisher: Routledge
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This exciting collection addresses action and adventure from the silent to the contemporary period exploring diverse questions of aesthetics, industry and ideology. Action has established itself as one of the leading commercial genres of the New Hollywood cinema, generating extensive debate in the process. Contributors consider how action might best be defined, how it has developed historically, and how it works formally. The critical reception and standing of action and adventure cinema is considered in relation to questions of national culture, violence and the 'art' of cinema. Themes explored include genre and definitions; early action, sensation and melodrama; authorship and action; national and transnational action-adventure traditions; action aesthetics; spectacle and narrative; stars and bodies; class; gender; race and ethnicity. Attempting to evaluate the significance of this type of filmmaking for both popular cinema and film studies, the book underlines the central place of action and adventure within film history.


Action and Adventure Cinema

Author: Yvonne Tasker
Publisher: Presbyterian Publishing Corp
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Addressing areas such as genre, film history and style, action and spectacle, stars and bodies, action auteurs and the film industry, the reader covers both Hollywood and also European and Asian action cinema.


Hollywood Action Films and Spatial Theory

Author: Nick Jones
Publisher: Routledge
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This book applies the discourse of the so-called ‘spatial turn’ to popular contemporary cinema, in particular the action sequences of twenty-first century Hollywood productions. Tackling a variety of spatial imaginations (contemporary iconic architecture; globalisation and non-places; phenomenological knowledge of place; consumerist spaces of commodity purchase; cyberspace), the diverse case studies not only detail the range of ways in which action sequences represent the challenge of surviving and acting in contemporary space, but also reveal the consistent qualities of spatial appropriation and spatial manipulation that define the form. Jones argues that action sequences dramatise the restrictions and possibilities of space, offering examples of radical spatial praxis through their depictions of spatial engagement, struggle and eventual transcendence.


Action Detection and Shane Black

Author: Nils Bothmann
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Digital Imaging in Popular Cinema

Author: Lisa Purse
Publisher: Edinburgh University Press
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Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analy


Action Movies

Author: Harvey O'Brien
Publisher: Columbia University Press
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Action Movies: The Cinema of Striking Back is a study of action cinema, exploring the ethics and aesthetics of the genre with reference to its relatively short history. It moves from seminal classics like Bullitt (1968) and Dirty Harry (1971) through epoch-defining films like Rambo: First Blood Part II (1985) and Die Hard (1988) to revisions, reboots, and renewals in films like Kill Bill Vol. 1 (2003), Taken (2008), and The Expendables (2010). The action genre is a fusion of form and content: a cinema of action about action. It is a cinema of the will, configured as a decisive reaction to untenable circumstances. Action heroes take up arms against the sea of troubles that beset them, safe in the knowledge that if they don't do it, nobody will. Though this makes the action movie profoundly disturbing as an embodiment of moral ideology, its enduring appeal proves the appetite for assurance remains undiminished, even in the wake of 9/11.


The Ultimate Stallone Reader

Author: Chris Holmlund
Publisher: Columbia University Press
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Sylvester Stallone has been a defining part of American film for nearly four decades. He has made an impact on world entertainment in a surprisingly diverse range of capacities – as actor, writer, producer, and director – all while maintaining a monolithic presence. With The Ultimate Stallone Reader, this icon finally receives concerted academic attention. Eleven original essays by internationally-known scholars examine Stallone's contributions to mainstream cinema, independent film, and television. This volume also offers innovative approaches to star, gender, and celebrity studies, performance analysis, genre criticism, industry and reception inquiry, and the question of what it means to be an auteur. Ultimately, The Ultimate Stallone Reader investigates the place that Sylvester Stallone occupies within an industry and a culture that have both undergone much evolution, and how his work has reflected and even driven these changes.


The Depiction of Terrorists in Blockbuster Hollywood Films 1980 2001

Author: Helena Vanhala
Publisher: McFarland
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This book examines how American foreign policy and the commercial film industry’s economic interests influenced the portrayal of international terrorism in Hollywood blockbuster films from the time of the Iran hostage crisis to the 9/11 terrorist attacks. Part I provides a historical overview of modern international terrorism and how it relates to the United States, its news media, and its film industry. Part II covers depictions of terrorism during the Cold War under President Reagan, including films like Commando and Iron Eagle. Part III covers the Hollywood terrorist after the Cold War, including European terrorists in the Die Hard franchise, Passenger 57, Patriot Games, Blown Away, The Jackal and Ronin; fundamentalist Islamic terrorists in True Lies and Executive Decision; the return of the communist threat in Air Force One; and 9/11 foreshadowing in The Siege.


Library of Congress Subject Headings

Author: Library of Congress. Policy and Standards Division
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Cinematic Terror

Author: Tony Shaw
Publisher: Bloomsbury Publishing USA
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Cinematic Terror takes a uniquely long view of filmmakers' depiction of terrorism, examining how cinema has been a site of intense conflict between paramilitaries, state authorities and censors for well over a century. In the process, it takes us on a journey from the first Age of Terror that helped trigger World War One to the Global War on Terror that divides countries and families today. Tony Shaw looks beyond Hollywood to pinpoint important trends in the ways that film industries across Europe, North and South America, Asia, Africa and the Middle East have defined terrorism down the decades. Drawing on a vast array of studio archives, government documentation, personal interviews and box office records, Shaw examines the mechanics of cinematic terrorism and challenges assumptions about the links between political violence and propaganda.


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