In The Filmmaker's Necronomicon, or book of the dead, award-winning director Danny Draven unlocks the crypt and shows you how to translate your idea into a successful movie that gives your audience nightmares. Budget need not be a limitation: the real-world advice and experience from the author--plus a host of horror directors, producers, writers, cast, and crew--offer a variety of tips, short-cuts, and ideas for producing a quality movie on the cheap. It all starts with the story. You'll learn the storytelling elements that make a horror movie truly frightening to the audience, then master the process of making a horror film from concept to completion, avoiding the pitfalls along the way. This full-color, highly illustrated book also shows you the production techniques that add to the chill factor, including camera techniques, properly showcasing your star (the monster), creating atmosphere through music, adding tension through editing, and more. Distribution and marketing are covered in depth, so you can get your movie out there once you've made it. The book includes access to over an hour of video. Get inspiration and ideas from: * A 20 Minute behind-the scenes featurette from Danny Draven's new 2009 award winning film GHOST MONTH, coming soon from Lions Gate Entertainment. * A 10-minute behind-the-scenes featurette from Danny Draven's film CRYPTZ * A 10-minute behind-the-scenes featurette from Danny Draven's film DEATHBED * A 10-minute behind-the-scenes featurette from Danny Draven's film DARKWALKER * The Danny Draven Trailer Reel -- Trailers for all 6 feature films * Horror Script Samples (PDF files) -- Ghost Month and Cryptz
From 1932's White Zombie to 28 Days Later and the current crop of Japanese shockers, the zombie movie has been one of the most enduring mainstays of international horror cinema. Now, for the first time ever, the complete history of zombie cinema is told in this lavishly illustrated and fully cross-referenced celebration of living dead cinematic culture.
Release on 2019-02-28 | by Ron Riekki,Jeffrey A. Sartain
Essays on the Cult Film Franchise
Author: Ron Riekki,Jeffrey A. Sartain
Category: Performing Arts
One of the top-grossing independent films of all time, The Evil Dead (1981) sparked a worldwide cult following, resulting in sequels, remakes, musicals, comic books, conventions, video games and a television series. Examining the legacy of one of the all-time great horror films, this collection of new essays covers the franchise from a range of perspectives. Topics include The Evil Dead as punk rock cinema, the Deadites’ (demon-possessed undead) place in the American zombie tradition, the powers and limitations of Deadites, evil as affect, and the films’ satire of neoliberal individualism.
The Young, the Restless, and the Dead captures the spirit of Canadian filmmakers through interviews with the most accomplished and dynamic of yesterday’s, today’s, and tomorrow’s film greats. Funny, provocative, and enlightening, the filmmakers reflect on their careers and explore with the interviewers the issues that challenge them. This book features an interview with a late director (Jean-Claude Lauzon) whose work is recognized in the canon as outstanding; interviews with filmmakers who are accomplished in their fields and have to their credit a sizeable body of work (Blake Corbet, Andrew Currie, Brent Carlson, Guy Maddin, Lynne Stopkewich, Anne Wheeler, Gary Burns, and Mina Shum); and an interview with a young director new to the field (Michael Dowse). Together these players in the Canadian film scene capture the energy, success, and tribulations of a fascinating cultural industry. The Young, the Restless, and the Dead is the first volume in a series of interviews with key cultural creators in the field of cinema. It seeks to bring to a wide audience the insights and emotions, the trials and achievements of significant figures in Canadian film. George Melnyk talks about The Young, the Restless, and the Dead with Eric Volmers of the Calgary Herald. Read the interview online.
Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. The compendium serves not only as a follow-up to its predecessor volume (The Zombie Movie Encyclopedia McFarland 2011 ), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 270 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.
Featuring chronological reviews of more than 300 zombie films--from 1932's "White Zombie" to George A. Romero's 2008 release "Diary of the Dead--"this thorough, uproarious guide traces the evolution of one of horror cinema's most popular and terrifying creations. Fans will learn exactly what makes a zombie a zombie, go behind the scenes with a chilling production diary from "Land of the Dead," peruse a bizarre list of the oddest things ever seen in undead cinema, and immerse themselves in a detailed rundown of the 25 greatest zombie films ever made. Containing an illustrated zombie rating system, ranging from "Highly Recommended" to "Avoid at All Costs" and "So Bad It's Good," the book also features lengthy interviews with numerous talents from in front of and behind the camera.
* How can you use a state's film tax credits to fund your film? SEE PAGE 63. * You have an idea you want to pitch to a production company; how do you safeguard your concept? SEE PAGE 77. * How can you fund your production with product placement? SEE PAGE 157. * How do you get a script to popular Hollywood actors and deal with their agents? SEE PAGE 222. Find quick answers to these and hundreds of other questions in this new edition of The Pocket Lawyer for Filmmakers. This no-nonsense reference provides fast answers in plain English-no law degree required! Arm yourself with the practical advice of author Thomas Crowell, a TV-producer-turned-entertainment-lawyer. This new edition features: * New sections on product placement, film tax credits and production incentive financing, Letters of Intent, and DIY distribution (four-walling, YouTube, Download-to-own, Amazon.com, iTunes, and Netflix) * Updated case law * Even more charts and graphics to help you find the information you need even more quickly. This book is the next best thing to having an entertainment attorney on retainer!
Who was Dick? A freaked-out junkie who took too many drugs? An explorer of madness who go too close to his subject and ended up claiming to have met God? A practical joker? The most consistently brilliant SF writer in the world? At a time when most SF was about cowboys in outer space, Dick explored the landscapes of the mind, conjured fake realities and was able to make you believe six impossible things before breakfast. He embodied the counter-culture a decade before the 1960's. Perhaps best known for Do Androids Dream Of Electric Sheep? - the novel which inspired Blade Runner - Dick's world is one where God speaks through cat food commercials and comes in a handy aerosol can. And where you might be a figment of someone else's imagination... As well as an introductory essay, this pocket sized volume from 2007 reviews and analyses each of Philip K Dick's novels and provides a listing of the many other books and articles which have grappled with this genius.
This book illuminates the impact, lasting influence, and personalities involved with the creation and development of dark fantasy works of the 20th and 21st century—classics of literature, cinema, and television. This collection of new and reprinted material will focus on recognized trailblazers—Rod Serling, Ray Bradbury, Hugh Hefner, etc.—as well as those whose contributions have been sadly neglected. Featuring profiles, interviews, and essays, this collection will provide insight into not only what is important, but why, and how these works have made such an impact on popular culture.