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The Historical Novel

Author: Herbert Butterfield
Publisher: Cambridge University Press
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This 1924 book is an engaging study of the interrelation between the historical novel and the study of history.


The Historical Novel

Author: Jerome De Groot
Publisher: Routledge
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The historical novel is an enduringly popular genre that raises crucial questions about key literary concepts, fact and fiction, identity, history, reading, and writing. In this comprehensive, focused guide, Jerome de Groot offers an accessible introduction to the genre and critical debates that surround it, including: the development of the historical novel from early eighteenth-century works through to postmodern and contemporary historical fiction different genres, such as sensational or ‘low’ fiction, crime novels, literary works, counterfactual writing and related issues of audience, value, and authenticity the many functions of historical fiction, particularly the challenges it poses to accepted histories and postmodern questioning of ‘grand narratives’ the relationship of the historical novel to the wider cultural sphere with reference to historical theory, the internet, television, and film key theoretical concepts such as the authentic fallacy, postcolonialism, Marxism, queer and feminist reading. Drawing on a wide range of examples from across the centuries and around the globe The Historical Novel is essential reading for students exploring the interface of history and fiction.


The Historical Novel in Europe 1650 1950

Author: Richard Maxwell
Publisher: Cambridge University Press
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This book examines how the French invention and the Scottish re-invention of historical fiction prepared the genre's popularity during the nineteenth and twentieth centuries.


On the Historical Novel

Author: Alessandro Manzoni
Publisher: U of Nebraska Press
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Alessandro Manzoni was a giant of nineteenth-century European literature whose I promessi sposi (The Betrothed, 1928) is ranked with War and Peace as marking the summit of the historical novel. Manzoni wrote “Del romanzo storico” (“On the Historical Novel”) during the twenty years he spent revising I promessi sposi. This first English translation of On the Historical Novel reflects the insights of a great craftsman and the misgivings of a profound thinker. It brings up to the nineteenth century the long war between poetry and history, tracing the idea of the historical novel from its origins in classical antiquity. It declares the historical novel—and presumably I promessi sposi itself—dead as a genre. Or perhaps it justifies I promessi sposi as the climax of a genre and the end of a stage of human consciousness. Its importance lies both in its prospective and in its retrospective contributions to literary debate.


A T rt nelmi Reg ny

Author: Georg Lukács
Publisher: U of Nebraska Press
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Georg Lukács (1885–1971) is now recognized as one of the most innovative and best-informed literary critics of the twentieth century. Trained in the German philosophic tradition of Kant, Hegel, and Marx, he escaped Nazi persecution by fleeing to the Soviet Union in 1933. There he faced a new set of problems: Stalinist dogmatism about literature and literary criticism. Maneuvering between the obstacles of censorship, he wrote and published his longest work of literary criticism, The Historical Novel, in 1937. Beginning with the novels of Sir Walter Scott, The Historical Novel documents the evolution of a genre that came to dominate European fiction in the years after Napoleon. The novel had reached a point at which it could be socially and politically critical as well as psychologically insightful. Lukács devotes his final chapter to the anti-Nazi fiction of Germany and Austria.


The Historical novel in Latin America

Author: Daniel Balderston
Publisher: Ediciones Hispamerica
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The Historical Novel

Author: Georg Lukács
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Georg Lukacs (1885-1971) is now recognized as one of the most innovative and best-informed literary critics of the twentieth century. Trained in the German philosophic tradition of Kant, Hegel, and Marx, he escaped Nazi persecution by fleeing to the Soviet Union in 1933. There he faced a new set of problems: Stalinist dogmatism about literature and literary criticism. Maneuvering between the obstacles of censorship, he wrote and published his longest work of literary criticism, "The Historical Novel," in 1937. Beginning with the novels of Sir Walter Scott, "The Historical Novel" documents the evolution of a genre that came to dominate European fiction in the years after Napoleon. The novel had reached a point at which it could be socially and politically critical as well as psychologically insightful. Lukacs devotes his final chapter to the anti-Nazi fiction of Germany and Austria.


Flaubert and the Historical Novel

Author: Anne Green
Publisher: Cambridge University Press
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This 1982 book evaluates of one of Flaubert's most controversial novels. Dr Green begins by discussing the nineteenth-century debate about the relation between history and fiction, and examines Flaubert's distinctive responses to it. She goes on to show how Flaubert worked to develop a new kind of historical novel.


Clarinda a Historical Novel

Author: A. Mātavaiyā
Publisher: Sahitya Akademi
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The Book Written In English Is A Novel Set In The Mid-18Th Century. The Story Is Based On A Historical Figure, A Real Clarinda, The Widow Of A Maratha Brahmin, Who Had Been One Of The KingýS Servants In Tanjore, And After Her HusbandýS Death Became The Concubine Of An English Officer Of The Name Of Lyttleton. The Imagined Story Of This Unusual Woman, Who Gradually Takes Control Of Her Life, Gives Madhaviah The Opportunity To Work Out Some Of His Favourite Themes: WomenýS Education, The Questions Of Sati And Widow Remarriage, And The Encounter Between Hinduism And Christianity. The Cross-Cultural, Inter-Religious Relationship Which Is At The Heart Of The Novel Is Unusual And Profoundly Interesting.


The Historical Novel

Author: Jerome de Groot
Publisher: Routledge
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Size: 20,71 MB
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The historical novel is an enduringly popular genre that raises crucial questions about key literary concepts, fact and fiction, identity, history, reading, and writing. In this comprehensive, focused guide, Jerome de Groot offers an accessible introduction to the genre and critical debates that surround it, including: the development of the historical novel from early eighteenth-century works through to postmodern and contemporary historical fiction different genres, such as sensational or ‘low’ fiction, crime novels, literary works, counterfactual writing and related issues of audience, value, and authenticity the many functions of historical fiction, particularly the challenges it poses to accepted histories and postmodern questioning of ‘grand narratives’ the relationship of the historical novel to the wider cultural sphere with reference to historical theory, the internet, television, and film key theoretical concepts such as the authentic fallacy, postcolonialism, Marxism, queer and feminist reading. Drawing on a wide range of examples from across the centuries and around the globe The Historical Novel is essential reading for students exploring the interface of history and fiction.