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The New Acrylics

Author: Rheni Tauchid
Publisher: Watson-Guptill
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The acrylics of today have grown into the most adaptable art material of the modern age. Focusing on a popular art medium that has been around for over 50 years, The New Acrylics illustrates how artists can create lush textures, color, and luster with the modern acrylics readily available in any art supply store. These are nontoxic, environmentally sound, and exist in the most dazzling array of chemical formats—from the most fluid to the highly viscous. Not only do artists paint with acrylics these days, they can create rich metallic effects, or even 3-dimensional sculptures. Traditional technique based books on acrylics cover traditional methods of painting. However, The New Acrylics is geared toward more nonconventional ways in which to manipulate modern-day acrylics, and demonstrates new applications such as glazing, textured effects, soft sculpture effects, or staining, thus reinventing the old way of handling acrylics, and revealing a fabulous new artistic medium. The underlying theme of this dazzling and sophisticated book is to encourage artists to interpret and handle acrylic paints in a vibrant, fresh, and above all, individualistic style.


New Acrylics Essential Sourcebook

Author: Rheni Tauchid
Publisher: Random House Digital, Inc.
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The author of the bestselling The New Acrylics provides an in-depth resource for acrylic artists with an emphasis on a variety of different paint formulas, providing side-by-side comparisons of different combinations of paint consistencies and the range of effects created. Original.


Acrylic Painting

Author: Wendon Blake
Publisher: Courier Corporation
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Comprehensive and richly illustrated survey by noted artist and teacher introduces acrylic colors and their characteristics, discusses painting surfaces and how to prepare them, lists painting tools and their performance, and much more. Step-by-step instructions and technical exercises for experimenting with major methods, among them opaque, transparent (watercolor), acrylic tempera, mixed media and others. 125 halftones. 32 color illus.


Family Economics Review

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The Body Aesthetic

Author: Tobin Siebers
Publisher: University of Michigan Press
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Size: 28,64 MB
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Establishes the body's undeniable presence and strangeness as the material out of which human beings are made


ESCAPE OF A BlOCK ISLAND ARTIST

Author: Ted Merritt
Publisher: AuthorHouse
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This small book has three strands. First, it is about escaping from the workaday world. Second, it is about using art and to some extent music to escape; and it is about Block Island, Rhode Island, which is a popular tourist escape destination. Block Island, referred to by some as one of the five most beautiful places in the world, is an outdoor paradise well worth a visit. With a setting fifteen miles due south from Rhode Island out into the Atlantic Ocean, it offers its entire perimeter of beaches and bluffs to the public as well as its interior greenway walking trails. Approximately 43 percent of the island land is open space. It is therefore no surprise that the island population swells from approximately a thousand in the winter to more than fifteen thousand in the summer. The painting on the cover depicts a double-ender sailboat of the type that Block Islanders used in the 1920s and 1930s. Block Islanders used the double ender to fish and travel back and forth to the mainland. The boat is remembered in the Block Island annual Fourth of July double-ender parade as a small, versatile craft that could sail well in heavy air, be hauled out on the beach for safekeeping at night, and could carry large loads of fish. The hull comes to a point at the bow and again at the stern to split the waves breaking in the front and back. It carried stones from the beach for ballast until they were jettisoned and replaced by a like weight in fish. From twenty-five to forty feet in length, with a crew of two, this was the only mode of transportation to and from the island for many years. The painting reflects an image in my head, and I created it on an eleven-by-fourteen-inch canvas in heavy body acrylic. The robust and almost primitive style of the art is offered to represent the weather-oriented life and nature of early islanders. I often escape from daily life by imagining my hand on the tiller of this boat in a storm. It was with that feeling that I used the paintbrush to cut the unique curves in the painting. In this book I talk of looking into one’s head for escape, satisfaction, and comfort. Most Block Islanders, because of the nature of their isolation, also have learned, in my opinion, to look inward for satisfaction and comfort and to escape. During the past decade, I have come to know Island visitors as a resident, as a water taxi driver in New Harbor, and as an artist in the Spring Street Art Gallery. It appears to me that most people come to the island with visions of escape in their minds. Island visitors and residents, for the most part, have chosen to escape from the mainland—or America, as Islanders describe it—to enjoy a more relaxed life surrounded by the Atlantic Ocean. Willy-nilly describes life on the island, spontaneous and haphazard! This story is autobiographical with a philosophical flavor. The paintings reproduced in these pages are my interpretation on the escapist theme. The paintings argue that for me becoming an artist was a good way to escape. Singing was another! Singing and painting are two of the ways I have chosen to escape. When painting, I never use a photo or any other document to guide my artistic production. Reaching into my head has turned out to be fun, and writing about escapism has also turned out to be fun! I conclude that it is fun to escape! Perhaps an exploration of what is in your head will result in a new artistic pursuit!


Medical Polymers 2006

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Publisher: iSmithers Rapra Publishing
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Watercolor

Author: John Pike
Publisher: Courier Corporation
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DIVFrom one of America's most popular artists comes information on everything from advice on choosing a brush to producing a variety of washes, brush strokes, and textures. 166 illustrations. /div


Sacred Exchanges

Author: Robyn Ferrell
Publisher: Columbia University Press
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As the international art market globalizes the indigenous image, it changes its identity, status, value, and purpose in local and larger contexts. Focusing on a school of Australian Aboriginal painting that has become popular in the contemporary art world, Robyn Ferrell traces the influence of cultural exchanges on art, the self, and attitudes toward the other. Aboriginal acrylic painting, produced by indigenous women artists of the Australian Desert, bears a superficial resemblance to abstract expressionism and is often read as such by viewers. Yet to see this art only through a Western lens is to miss its unique ontology, logics of sensation, and rich politics and religion. Ferrell explores the culture that produces these paintings and connects its aesthetic to the brutal environmental and economic realities of its people. From here, she travels to urban locales, observing museums and department stores as they traffic interchangeably in art and commodities. Ferrell ties the history of these desert works to global acts of genocide and dispossession. Rethinking the value of the artistic image in the global market and different interpretations of the sacred, she considers photojournalism, ecotourism, and other sacred sites of the western subject, investigating the intersection of modern art and postmodern culture. She ultimately challenges the primacy of the "European gaze" and its fascination with sacred cultures, constructing a more balanced intercultural dialogue that deemphasizes the aesthetic of the real championed by western philosophy.


A new method of seawater desalination via acrylic acid based hydrogels Synthesis characterisation and experimental realisation

Author: Höpfner, Johannes
Publisher: KIT Scientific Publishing
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