The Stones of Venice Volume 1 of 3

The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853.

The Stones of Venice Volume 1 of 3

The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853.

The Stones of Venice

This eBook version of The Stones of Venice, Volume 1 presents the full text of this literary classic.

The Stones of Venice

This eBook version of The Stones of Venice, Volume 1 presents the full text of this literary classic.

The Stones of Venice

k l m n o p 1, 2, 3, 3, 2, 1, 1,2, 3, 3, 2, 1, 2, 1, 3, 3, 1, 2. m and n, which are the Matterhorn line, are the most beautiful and important of all the twelve; k and l the next; o and p are used only for certain conditions of flower ...

The Stones of Venice

Since the first dominion of men was asserted over the ocean, three thrones, of mark beyond all others, have been set upon its sands: the thrones of Tyre, Venice, and England. Of the First of these great powers only the memory remains; of the Second, the ruin; the Third, which inherits their greatness, if it forget their example, may be led through prouder eminence to less pitied destruction. The exaltation, the sin, and the punishment of Tyre have been recorded for us, in perhaps the most touching words ever uttered by the Prophets of Israel against the cities of the stranger. But we read them as a lovely song; and close our ears to the sternness of their warning: for the very depth of the Fall of Tyre has blinded us to its reality, and we forget, as we watch the bleaching of the rocks between the sunshine and the sea, that they were once "as in Eden, the garden of God." Her successor, like her in perfection of beauty, though less in endurance of dominion, is still left for our beholding in the final period of her decline: a ghost upon the sands of the sea, so weak-so quiet,-so bereft of all but her loveliness, that we might well doubt, as we watched her faint reflection in the mirage of the lagoon, which was the City, and which the Shadow. I would endeavor to trace the lines of this image before it be for ever lost, and to record, as far as I may, the warning which seems to me to be uttered by every one of the fast-gaining waves, that beat, like passing bells, against the Stones of Venice.

The Stones of Venice

Volume III John Ruskin. In Plate VIII., opposite, are arranged in one view all the conditions of Byzantine archivolt employed in Venice, on a large scale. It will be seen in an instant that there can be no mistaking the manner of their ...

The Stones of Venice

Reproduction of the original: The Stones of Venice by John Ruskin

The Stones of Venice

Plate X. Vol. II. represents the four principal orders of Venetian capitals in their greatest simplicity, and the profiles of the most interesting examples of each. The figures 1 and 4 are the two great concave and convex groups, ...

The Stones of Venice

Of all the buildings in Venice, later in date than the final additions to the Ducal Palace, the noblest is, beyond all question, that which, having been condemned by its proprietor, not many years ago, to be pulled down and sold for the value of its materials, was rescued by the Austrian government, and appropriated-the government officers having no other use for it-to the business of the Post-Office; though still known to the gondolier by its ancient name, the Casa Grimani. It is composed of three stories of the Corinthian order, at once simple, delicate, and sublime; but on so colossal a scale, that the three-storied palaces on its right and left only reach to the cornice which marks the level of its first floor. Yet it is not at first perceived to be so vast; and it is only when some expedient is employed to hide it from the eye, that by the sudden dwarfing of the whole reach of the Grand Canal, which it commands, we become aware that it is to the majesty of the Casa Grimani that the Rialto itself, and the whole group of neighboring buildings, owe the greater part of their impressiveness.

The Stones of Venice Volume 2 of 3

3. Never encourage imitation or copying of any kind, except for the sake of preserving record of great works. The second of these principles is the only one which directly rises out of the consideration of our immediate subject; ...

The Stones of Venice  Volume 2  of 3


The Works of John Ruskin The stones of Venice v 1 3

1 1 * I do not think that there is anything more necessary to the progress of European art in the present day than the ... the other day , fully understood and thus sweetly expressed in a little volume of poems by : Miss Maynard : “ For ...

The Works of John Ruskin  The stones of Venice  v  1 3


The Stones of Venice

1 , 2 , 3 , 5 , 6 , 7 , 9 , 17 , 18 , 20 , and 21 , supra . in 13 vols . 12mo , or each work sold separately , ) conWightwick's Architecture . 3. The Stones of Venice : vol . i .: The Foundations , With this edition is ...

The Stones of Venice


The stones of Venice 3 vol

John Ruskin. 1 1 THE STONES OF VENICE . VOLUME THE THE THIRD.

The stones of Venice  3 vol


The Stones of Venice

III., under the head “Archivolt.” These windows (figs. 1 and 2,Plate XVII.) are from a narrow alley in a part of Venice now exclusively inhabited by the lower orders, close to the arsenal;90they are entirely wrought in brick, ...

The Stones of Venice

The decay of the city of Venice is, in many respects, like that of an outwearied and aged human frame; the cause of its decrepitude is indeed at the heart, but the outward appearances of it are first at the extremities. In the centre of the city there are still places where some evidence of vitality remains, and where, with kind closing of the eyes to signs, too manifest even there, of distress and declining fortune, the stranger may succeed in imagining, for a little while, what must have been the aspect of Venice in her prime. But this lingering pulsation has not force enough any more to penetrate into the suburbs and outskirts of the city; the frost of death has there seized upon it irrevocably, and the grasp of mortal disease is marked daily by the increasing breadth of its belt of ruin.

American Publishers Circular and Literary Gazette

1 vol . 12mo . THE MANUAL OF PHONOGRAPHY , by LONDON , Aug. 16 , 1857 . NOTICE .--- The Publishers of this work Finely illustrated . Price $ 1 . ... Painters , " the “ Stones of Venice , " & c . 1 dividual temperament , and social ...

American Publishers  Circular and Literary Gazette


The Works of John Ruskin

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended.

The Works of John Ruskin


The Politics of Making

The Seven Lamps of Architecture was published in 1849; The Stones of Venice volume 1 in 1851, and volumes 2 and 3 finally came out in 1853. Ruskin begins the numbered series of sheets at Verona en route to Venice in 1849', they continue ...

The Politics of Making

A unique collection of contemporary writings, this book explores the politics involved in the making and experiencing of architecture and cities from a cross-cultural and global perspective Taking a broad view of the word ‘politics’, the essays address a range of questions, including: What is the relationship between politics and the making of space? What role has theory played in reinforcing or resisting political power? What are the political difficulties associated with working relationships? Do the products of our making construct our identity or liberate us? A timely volume, focusing on an interdisciplinary debate on the politics of making, this is valuable reading for all students, professionals and academics interested or working in architectural theory.

The Arnoldian

... later work can be said to present a coherent theory of imagination ; but by the early 1850's , with the publication of The Stones of Venice in 1851 ( volume 1 ) and 1853 ( volumes 2 and 3 ) , a broadly sketched concept does emerge .

The Arnoldian


The Written and the Visual

The Stones of Venice. Volumes 13. London: George Routledge & Sons, 1908. –. Modern Painters. Volumes 1–5. London: George Routledge & Sons, 1908. Russo, Mary. The Female Grotesque. Risk, Excess and Modernity.

The Written and the Visual

The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history – a subject which has not yet been undertaken in a book-length study. The innovative feature of the project lies in its scope and merit: extensive readings of 19th century poetry, informed by carefully chosen critical approaches, are followed by a rich overview and analysis of visual renderings of the poems in question. Łuczyńska-Hołdys has succeeded in bringing to light previously unknown or undiscussed works, and reappraised many well-known paintings and illustrations.

Gaither s Dictionary of Scientific Quotations

In Great Books of the Western World (Volume 26) The Plays and Sonnets of William Shakespeare (Volume 1) Second Part of King Henry the Fourth Act I, Scene iii, l.41 Encyclopædia Britannica, Inc. Chicago, Illinois, USA.

Gaither s Dictionary of Scientific Quotations

Scientists and other keen observers of the natural world sometimes make or write a statement pertaining to scientific activity that is destined to live on beyond the brief period of time for which it was intended. This book serves as a collection of these statements from great philosophers and thought–influencers of science, past and present. It allows the reader quickly to find relevant quotations or citations. Organized thematically and indexed alphabetically by author, this work makes readily available an unprecedented collection of approximately 18,000 quotations related to a broad range of scientific topics.

The Critic

1. The Stones of Venice . JOHN RUSKIN ; A Bibliographical Biography . By William E. Volume 1. The Foundations . ... Volume III . The Fall . First edition . 1853 . THREE NUMBERS OF THE Y. M. A. MAGAZINE , for Illustrated with 53 plates ...

The Critic