Tim Crouch Plays One

‘The four Tim Crouch plays contained in this volume make up one of the most important bodies of English-language playwriting to have emerged so far in the twenty-first century.

Tim Crouch  Plays One

‘The four Tim Crouch plays contained in this volume make up one of the most important bodies of English-language playwriting to have emerged so far in the twenty-first century. Of course, we’re less than a dozen years into it, so the statement is still a little on the cautious side, but I can think of no other contemporary playwright who has asked such a compelling set of questions about theatrical form, narrative content, and spectatorial engagement.’ - Stephen Bottoms, University of Leeds Includes the plays The Author, England,An Oak Tree and My Arm. My Arm ‘...he is actually exploring on stage the nature of art and performance itself, taking risks in the process... At these moments, Crouch is armed and dangerous.’ - Guardian An Oak Tree ‘Pirandello for a modern audience and better. It’s philosophy in action, playful and seriously thought-provoking.’ - Independent on Sunday ENGLAND ‘...created with rigorous, poetic economy... ENGLAND belongs to that wonderful genre of thoughtful plays that could be discussed for hours without exhausting its ideas.’ - New York Times The Author ‘This is not audience participation; it is the audience at once being the theatre and interrogating it.’ - Financial Times

An Oak Tree

This is a breath-taking projection of a performance, given from one actor to another, from a hypnotist to their subject, from an audience to the stage.

An Oak Tree

‘Since your daughter’s death I’ve not been much of a hypnotist.’ A man loses his daughter to a car. Nothing now is what it is. It’s like he’s in a play – but he doesn’t know the words or the moves. The man who was driving the car is a stage hypnotist. Since the accident, he’s lost the power of suggestion. His act’s a disaster. For him, everything now is exactly what it is. For the first time since the accident, these two men meet. They meet when the Father volunteers for the Hypnotist’s act. And, this time, he really doesn’t know the words or the moves... An Oak Tree is a remarkable play for two actors. The Father, however, is played by a different actor – male or female – at each performance. They walk on stage having neither seen nor read a word of the play they’re in...until they’re in it. This is a breath-taking projection of a performance, given from one actor to another, from a hypnotist to their subject, from an audience to the stage. An Oak Tree is a bold and absurdly comic play about loss, suggestion and the power of the mind. Winner of a Village Voice Obie for its autumn 2006 Off-Broadway run.

I Shakespeare

I, Caliban is a sweet and sorry tale about injustice, inebriation and missing your mum. I, Peaseblossom: The story of A Midsummer Night's Dream as re-lived through the fevered nightmares of Shakespeare's most neglected fairy.

I  Shakespeare

A collection of self contained one-man shows which brilliantly re-imagine four of Shakespeare's well known plays through the eyes of the bit parts. I, Malvolio re-imagines Twelfth Night from the point of view of Shakespeare's pent-up notoriously wronged steward. A story of lost dignity, prudery, practical, jokes and bullying that draws us deep into the madness of Shakespeare's classic comedy. I, Banquo: A blood-shot, story-telling journey into the heart of Shakespeare's Macbeth, told through the eyes of his murdered best friend. Classic theatre and modern story-telling combined, accompanied by a heavy-metal-guitar-playing thirteen-year-old Fleance, a severed head and 32 litres of blood. I, Caliban: Events on Prospero's island as viewed by Caliban, a puppy-headed monster alone on the island at the end of The Tempest, alone with his memories, his magic tricks and one last bottle of wine. I, Caliban is a sweet and sorry tale about injustice, inebriation and missing your mum. I, Peaseblossom: The story of A Midsummer Night's Dream as re-lived through the fevered nightmares of Shakespeare's most neglected fairy. Funny, heart-breaking and ever-so-slightly crazed, I Peaseblossom is a gloriously anarchic dream of a dream , perfect for children and adults alike. “This brilliant collection of re-imagined stories is a perfect introduction to Shakespeare for students of all ages. They are funny, fresh, intriguing and poignant, and use a supreme storyteller’s skill to bring us into the worlds of some of Shakespeare’s best-loved characters and plays. A must for all teachers who want to excite and inspire their students about Shakespeare’s work and the possibilities of theatre.” - Jacqui O’Hanlon,Director of Education, Royal Shakespeare Company

Total Immediate Collective Imminent Terrestrial Salvation

It tells the story of a man who, compensating for his own failure, manipulates a group of people to sit in a place together and believe in something that isn’t true.

Total Immediate Collective Imminent Terrestrial Salvation

Jesus didn’t die so we could be reborn, lady, the stars did. The writer leads his followers towards the end of this world and the start of a new one. The book he’s written predicts it all – the equations, the black hole, all the words we’ll speak till then. On this last day, at this last hour, a defector finds her voice and returns. Total Immediate Collective Imminent Terrestrial Salvation is a new play by Tim Crouch (Adler & Gibb, The Author, An Oak Tree, Beginners). It tells the story of a man who, compensating for his own failure, manipulates a group of people to sit in a place together and believe in something that isn’t true.

Modern British Playwriting 2000 2009

Playwrights. and. Plays: Tim. Crouch. 1. 10. 11. Tim Crouch, quoted in Stephen
Bottoms, 'Authorising the Audience: the Conceptual Drama of Tim Crouch',
Performance Research, 14.1 (2009), p.

Modern British Playwriting  2000 2009

Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.

Beginners

Beginners tells the story of three families trapped in a waterlogged holiday cottage over summer.

Beginners

Beginners tells the story of three families trapped in a waterlogged holiday cottage over summer. The children are bored. The adults are down the pub. So far so normal. An extraordinary Easter Holiday show for everyone who has ever wanted to be understood.

My Arm

Heaven . . . At the age of ten, for want of anything more meaningful to do, I put my arm above my head and kept it there. Now, thirty years on, I'm so full of meaning it's killing me.My Arm is the story of an empty gesture.

My Arm

I was watching a lot of TV, eating a lot of processed food. It was the 1970s. Heaven . . . At the age of ten, for want of anything more meaningful to do, I put my arm above my head and kept it there. Now, thirty years on, I'm so full of meaning it's killing me.My Arm is the story of an empty gesture. It's the testimonial of a man who has lived by the courage of his lack of conviction since 1974. In that process he's become a celebrated medical specimen and an icon of the New York art scene.The story is told through a live performance, digital film and the animation of everyday objects supplied by the audience before each performance. Above all, My Arm is an extraordinary piece of theatre about modern art, bloody-mindedness and how the things we do when we're ten stick with us for life. My Arm, produced by News from Nowhere, premièred at the Traverse Theatre, Edinburgh, in August 2003.

An Oak Tree

'Authorizing the Audience: The Conceptual Drama of Tim Crouch'. Performance
Research, 14(1), pp. 65–76. Bottoms, Stephens (2011a). 'Introduction'. In Tim
Crouch. Plays One. London: Oberon Books, pp. 11–20. Bottoms, Stephens (
2011b).

An Oak Tree

First Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.

The Politics of Performing Shakespeare for Young People

Crouch, Plays One, 164. The actors appearing in the production when I saw it
were Tim Crouch, Chris Goode, Vic Llewellyn and Esther Smith. Crouch, Plays
One, 164. Performance of The Author at Bristol Old Vic Studio, 1 October, 2010.

The Politics of Performing Shakespeare for Young People

This book examines performance projects of Shakespeare's plays for young people in terms of their value for their young audiences. Using interviews with theatre workers and workshops with young people, the book argues that it is by trusting young people's experience of performances, rather than promoting a range of pre-determined textual understandings of the plays, that they might gain most benefit. It argues that by privileging the meanings young people make of Shakespeare, new and exciting interpretations of his work might be found.

England

Written to be performed in art galleries, ENGLAND tells a compelling story for our times - a disturbing tale of transactions and translations, of culture and commerce, of one thing being placed inside another without thought for the ...

England

The grateful recipient of a heart transplant travels 4000 miles to thank the widow of the donor and to present her with a very special gift. But much more than a life has been lost. Written to be performed in art galleries, ENGLAND tells a compelling story for our times - a disturbing tale of transactions and translations, of culture and commerce, of one thing being placed inside another without thought for the consequences. Presented by two guides, it is a tour to the end of the world.

Theatre Record

On one level , An Oak Tree is a cool , almost anthropological study SUNDAY
TIMES of the power of suggestion and the ... John Peter But the play also gives
us a keen feeling for Andy ' s private travails Tim Crouch ' s “ play ” is about the
and ...

Theatre Record


The Tribune

This is just one of the conundrums presented by Tim Crouch ' s fascinating and
challenging new piece , An Oak Tree . Following an international tour , this play
has finally made it to London , allowing the metropolitan crowd to sample its
quirky ...

The Tribune


Bluegrass Unlimited

All rights reserved . their own and plays , as they say , " everything fingerpicked
guitar underpinnings or the modern from Miles Davis to Merle Haggard ... How
this one compares with earlier recordings , I can't say , having heard but a song
or two of their's on the RALPH radio . ... The musicians , The material is
predominantly lesser - known including Tim Crouch , Cody Kilby , Randy Kohrs ,
covers .

Bluegrass Unlimited


I Cinna The Poet

I, Cinna (The Poet) has one short scene in Shakespeare’s Julius Caesar where he is mistaken for someone else and killed by the mob. Now, in a new play by Tim Crouch, this unlucky man is given a chance to tell his story.

I  Cinna  The Poet

I, Cinna (The Poet) has one short scene in Shakespeare’s Julius Caesar where he is mistaken for someone else and killed by the mob. Now, in a new play by Tim Crouch, this unlucky man is given a chance to tell his story. Written for ages 11+, I, Cinna (The Poet) is a fusion of theatre, multimedia and creative writing tasks. Cinna asks his young audience to consider the relationship between words and actions, art and politics, self and society. During the performance he asks us to write alongside him: a small poem on a big theme. Originally commissioned for the World Shakespeare Festival which is produced by the Royal Shakespeare Company for London 2012 Festival. Shortlisted for the Writers' Guild Award for Theatre Play for Young People 2013.

The New Yorker

Vine based on Victor Hugo's novel and set atop a Iris Bahr's comic one - woman
show focusses on yard , 108 E. 15th St. 212-353-0303 . ... faithful to the book , the
production is The British performer Tim Crouch has as attractive as a window
display at concocted a blueprint for a play that Saks . ... At each performance ,
mischievousness that Carrey brought Crouch plays the role of a hypnotist to the
part .

The New Yorker


The Times Index

The Times Index

Indexes the Times and its supplements.

The Best Plays Theater Yearbook

Festival of Play Readings . September 2 - October 3 , 2005 . ... Solo performance
piece by Tim Crouch . Performed by Mr ... Dedicated to the exploration of one
playwright ' s body of work over the course of a single season . The season under
 ...

The Best Plays Theater Yearbook

(Best Plays Theater Yearbook). This annual chronicle of United States theater continues its long tradition of preserving the history of theater in the United States. For this 87th edition, essays by noted theater critics and writers celebrate the season and the ten best plays of 2005-2006. In addition to providing a variety of historical perspectives for the study and enjoyment of theater lovers, Best Plays includes a compendium of facts and figures about the year in United States theater, all illustrated with 100 black-and-white photographs.

Plays and Players

Seattle • Chicago POSTGRADUATE ONE YEAR DIPLOMA COURSES Musical
Director & Repetiteur / Designers ... MARIANNE MORLEY , MOVEMENT TOBY
SEDGWICK JACQUI O ' HANLON , TIM CROUCH , JAMES VOICE WORK PATSY
 ...

Plays and Players


Theatre in Times of Crisis

Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a ...

Theatre in Times of Crisis

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world's most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre's most prolific dramatists.