Filled with the groups and artists who shaped and made the pop scene, this is the story of a life spent behind the music.
Author: Tony Visconti
Publisher: HarperCollins UK
Category: Biography & Autobiography
A rollercoaster journey through the glory days of pop music, this memoir from famed produced Tony Visconti brings to life more than five decades of music history. Soon after abandoning his native New York in the 1960s to pursue his career in the UK, Visconti found himself in the thick of the emerging glam rock movement. His first commercial success came with T.Rex, but it was with the then-unknown David Bowie that Visconti made his mark on the music scene. He has since worked with dozens of famous artists, among them Thin Lizzy, Morrissey, Iggy Pop, U2, and Wings. In this riveting autobiography, Visconti recalls the stories from his early days up until his present life back in New York. Filled with the groups and artists who shaped and made the pop scene, this is the story of a life spent behind the music.
In 1983, Visconti produced Stage, the first of four albums for British musical theatre star Elaine Paige. This was followed by Cinema (1984), Love Hurts (1985) ... Tony Visconti – The Autobiography: Bowie, Bolan and the. 84 Tony Visconti.
YouTube, 2006 (original source unknown). https://www.youtube.com/watch?app=desktop&v=UrazL RZ27n8. 12. Tony Visconti: The Autobiography: Bowie, Bolan & the Brooklyn Boy. Tony Visconti. Harper Books, 2007. 13. Heroes 40th Anniversary.
Author: Pete Tomsett
Publisher: Rowman & Littlefield
Features interviews with Bill Bruford, Peter Giles, Gordon Haskell, Judy Dyble and more . . . In 1969 five young Englishmen calling themselves King Crimson altered the course of rock music, and despite a revolving-door lineup, the band has continued to innovate and inspire for more than fifty years. Fifty Shades of Crimson tells the story of this legendary band and of the unique English guitarist Robert Fripp it revolves around. With a deep passion for the music, author Pete Tomsett celebrates the achievements of Fripp and the array of incredible talent that has passed through Crimson, while not shying away from the many behind-the-scenes difficulties. Getting signed after supporting The Rolling Stones at Hyde Park, Crimson shot to fame with their debut album, In the Court of the Crimson King, becoming one of the most influential bands of that era and triggering the rise of prog rock. While going through countless personnel, including Greg Lake, Bill Bruford and John Wetton, rejecting Elton John and Bryan Ferry along the way, they have put out many highly acclaimed albums and to this day maintain a big international following. In their early years Fripp's band reached the same commercial heights as the likes of David Bowie and Pink Floyd. However, as an intellectual who despised the practices of the music business, Fripp preferred innovation over chasing big sales. In 1974 he withdrew from mainstream music, becoming involved with the Fourth Way philosophy, but was eventually tempted back and reformed Crimson to much acclaim in the eighties. As well as also having collaborations with Brian Eno, Andy Summers and others, Fripp has created new forms of instrumental music, run his own idiosyncratic guitar courses and set up an ethical record company. Both genius and 'a special sort of awkward', Fripp has never been afraid to take his music where no one has gone before, and Crimson have been a powerful influence on everyone from Genesis and Yes to Roxy Music and Radiohead, creating a legacy that will live on for decades more!
Other obstacles were detailed in Visconti's autobiography, Tony Visconti: The Autobiography: Bowie, Bolan And The ... Visconticontinues to maintain that a large portion of re-recording took place, and the album is barely live at all.
Author: Alan Byrne
Publisher: Soundcheck Books
Category: Rock musicians
In The Studio With Rock Legends Thin Lizzy January 2016 sees the 30th anniversary of the death of Phil Lynott, Thin Lizzy’s charismatic frontman, who was also a much underrated songwriter. Lizzy are often thought of as a live band (and they were superb on stage), so how their albums were made is often overlooked … until now. Lizzy fan Alan Byrne rectifies the omission with this timely album-by-album account of how the records got made (or nearly didn’t in some cases!), using original interviews with many of the musicians, producers, friends and even the photographers who shot the pictures for the covers. No stone is left unturned in this exhaustive book, which will make it a must read for Lizzy’s army of fans. The book also features previously unseen photos taken by fans, which is a lovely touch. This is the first time the story has been told in this level of depth. Beginning with the eponymously titled 1971 LP, Byrne examines every album made in the Lynott era, culminating in 1983’s Thunder And Lightning. Amongst the interviewees are band members Scott Gorham, Brian Robertson and Brian Downey from the classic era. Interestingly, guitarist Snowy White has also given an interview, which is a coup as the reserved musician normally doesn’t talk about his time with this boisterous band. Whilst this is a serious study of Lizzy’s output, Byrne inevitably has to include some of the wilder stories, which give an insight into what life was like in a band that breakfasted on excess. It also charts Lizzy’s rise from struggling wannabes to rock superstars with multi-platinum albums under their belts. It is also the story of an innovative legacy that still reverberates today, 30 years after Phil Lynott’s passing. The music he helped to pioneer influences musicians today and each new generation brings more fans who fall under the spell of one of rock’s greatest ever bands.
Visconti, Tony (2007), Tony Visconti – The Autobiography: Bowie, Bolan and the Brooklyn Boy (London: Harper Collins). Waksman, Steve (1999), Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience (Cambridge, ...
Category: Social Science
Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, No?Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, The British Pop Dandy considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Why do we derive pleasure from the performing body, and how is entertainment linked to categories of gender and sexuality? The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire. One of the political objectives of the dandy is to liberate himself through a denial of the structures that assume fixed identity. Not least, it is acts of queering in pop music that characterize entire generations of male artists in the UK. Setting out to discover what distinguishes the British pop dandy, Hawkins considers the role of music and performance in the articulation of hyperbolic display. It is argued that the recorded voice is a construction that idealizes self-representation, and absorbs the listener's attention. Particularly, camp address in singing practice is taken up in conjunction with a discussion of intimacy, which forms part of the strategy of the performer. In a range of songs and videos selected for music analysis, Hawkins points to the uniqueness of the voice as it expresses a transgressive quali
Visconti, Tony (2007), Tony Visconti: The Autobiography: Bowie, Bolan, and the Brooklyn Boy, London: HarperCollins. Warner, Timothy (2003), Pop Music – Technology and Creativity: Trevor Horn and the Digital Revolution, ...
Author: Zack Moir
Publisher: Bloomsbury Publishing
The Bloomsbury Handbook of Popular Music Educationdraws together current thinking and practice on popular music education from empirical, ethnographic, sociological and philosophical perspectives. Through a series of unique chapters from authors working at the forefront of music education, this book explores the ways in which an international group of music educators each approach popular music education. Chapters discuss pedagogies from across the spectrum of formal to informal learning, including “outside” and “other” perspectives that provide insight into the myriad ways in which popular music education is developed and implemented. The book is organized into the following sections: - Conceptualizing Popular Music Education - Musical, Creative and Professional Development - Originating Popular Music - Popular Music Education in Schools - Identity, Meaning and Value in Popular Music Education - Formal Education, Creativities and Assessment Contributions from academics, teachers, and practitioners make this an innovative and exciting volume for students, teachers, researchers and professors in popular music studies and music education.
Tony Visconti. The Autobiography: Bowie, Bolan, and the Brooklyn Boy. London: HarperCollins, 2007. Wade, Dorothy, and Justine Picardie. Music Man: Ahmet Ertegun, Atlantic Records, and the Triumph of Rock 'n' Roll.
Author: Adam Patrick Bell
Publisher: Oxford University Press
Dawn ot the DAW tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which the symbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY) recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality. Dawn of the DAW first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, Dawn of the DAW discusses the concept of "the studio as musical instrument" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded music in tandem. Third, Dawn of the DAW details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough of Brooklyn. Finally, Dawn of the DAW examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. Dawn of the DAW concludes by discussing the ramifications of these new directions for the field of music education.
(1998) The Billboard Encyclopedia of Rock. New York: Virgin. Visconti, A. (2007) Tony Visconti the Autobiography: Bowie, Bolan and the Brooklyn Boy. London: Harper-Collins. Waksman, S. (1999) Instruments of Desire: The Electric Guitar and.
Author: Andrew L. Cope
Status Quo were one of the most successful, influential and innovative bands of the 1970s. During the first half of the decade, they wrote, recorded and performed a stream of inventive and highly complex rock compositions, developed 12 bar forms and techniques in new and fascinating ways, and affected important musical and cultural trends. But, despite global success on stage and in the charts, they were maligned by the UK music press, who often referred to them as lamebrained three-chord wonders, and shunned by the superstar Disk Jockeys of the era, who refused to promote their music. As a result, Status Quo remain one of the most misunderstood and underrated bands in the history of popular music. Cope redresses that misconception through a detailed study of the band’s music and live performances, related musical and cultural subtopics and interviews with key band members. The band is reinstated as a serious, artistic and creative phenomenon of the 1970s scene and shown to be vital contributors to the evolution of rock.
He had picked up the production job on David Bowie's single 'Space Oddity', because Tony Visconti, Bowie's regular producer, didn't like the acoustic guitar demo. After producing Elton's first album Empty Sky, Steve Brown told Elton he ...
Author: Mal Pope
Publisher: Y Lolfa
This the autobiography of the singer, writer and broadcaster, Mal Pope. Mal was born in Brynhyfryd, Swansea, and as a teenager he sent a tape of songs he had written to John Peel on Radio 1 and was invited to perform on John's Sounds of the Seventies show. Six weeks later Mal was signed to Elton John's Rocket record company.
The longtime bass player for the Rolling Stones combines firsthand reminiscences with personal memorabilia to provide an insider's look at four decades or rock 'n' roll history.
Author: Bill Wyman
Founding member and bass player Bill Wyman presents an honest and humorous account that serves as a backstage pass to the band's history, from drug busts, to tax exile, to solo careers. Straight from Wyman's huge personal archive, here are unreleased letters, photos, memorabilia, and personal journals. With over 2,000 photographs, 45 tour spreads, song lists from every show, and biographies on each band member.
Donal Hen-aha" Things I Did And Things I Think I Did jean Negulesco, title of his autobiography —Your eX-l'lllSlJill'ld, Tony Visconti, recently had his memoirs out... Did you read them with trepidation? —No, I didn't read them at all.
Author: Rosemarie Jarski
Publisher: Random House
The bestselling, blockbusting, bumper book of humorous quotations rides back into town with 6,000 more hilariously funny quotes. From times past to the modern day, classic funnies to contemporary wit, The Funniest Thing You Never Said 2 delivers an unbeatable selection of fantastic and hilarious quotes on every subject under the sun. Featuring topics as diverse as celebrity to religion, and including a cast of quotees ranging from Oscar Wilde to Homer Simpson, there's something here for everyone with a sense of humour. 'I am willing to love all mankind, except an American.' - Samuel Johnson 'Glastonbury was very wet and muddy. There was trench foot, dysentery, peaches ... all the Geldof daughters.' - Sean Lock 'Politics would be a helluva good business if it weren't for the goddamned people.' - Richard Nixon 'I've had more women than most people have noses.' - Steve Martin 'I have the simplest tastes. I'm always satisfied with the best.' - Oscar Wilde 'Well, it's 1am. Better go home and spend some quality time with the kids.' - Homer Simpson 'All I know is I'm not a Marxist.' - Karl Marx 'I'm the pink sheep of the family.' - Alexander McQueen
Another deluxe edition from Genesis Publications is Geoff MacCormack's 2007 memoir From Station To Station: Travels ... An essential purchase for the Bowie enthusiast is Tony Visconti's 2007 autobiography Bowie, Bolan And The Brooklyn ...
Author: Nicholas Pegg
Publisher: Titan Books
Category: Biography & Autobiography
THE ULTIMATE EDITION – EXPANDED AND UPDATED WITH MORE THAN 70,000 WORDS OF NEW MATERIAL Critically acclaimed in its previous editions, The Complete David Bowie is recognized as the foremost source of analysis and information on every facet of Bowie’s work. The A-Z of songs and the day-by-day dateline are the most complete ever published. From his boyhood skiffle performance at the 18th Bromley Scouts’ Summer Camp, to the majesty of his final masterpiece Blackstar, every aspect of David Bowie’s extraordinary career is explored and dissected by Nicholas Pegg’s unrivalled combination of in-depth knowledge and penetrating insight. The Albums – detailed production history and analysis of every album. The Songs – hundreds of individual entries reveal the facts and anecdotes behind not just the famous recordings, but also the most obscure of unreleased rarities – from ‘Absolute Beginners’ to ‘Ziggy Stardust’, from ‘Abdulmajid’ to ‘Zion’. The Tours – set-lists and histories of every live show. The Actor – a complete guide to Bowie’s career on stage and screen. Plus – the videos, the BBC radio sessions, the paintings, the internet and much more.
Respected arts commentator and author Paul Morley, an artistic advisor to the curators of the highly successful retrospective exhibition 'David Bowie Is...' for the Victoria & Albert Museum in London, constructs a definitive story of Bowie ...
Author: Paul Morley
Publisher: Simon and Schuster
Category: Biography & Autobiography
Respected arts commentator and author Paul Morley, an artistic advisor to the curators of the highly successful retrospective exhibition 'David Bowie Is...' for the Victoria & Albert Museum in London, constructs a definitive story of Bowie that explores how he worked, played, aged, structured his ideas, influenced others, invented the future, and entered history as someone who could and would never be forgotten. Morley captures the greatest moments from across Bowie's life and career; how young Davie Jones of South London became the international David Bowie; his pioneering collaborations in the recording studio with the likes of Tony Visconti, Mick Ronson, and Brian Eno; to iconic live, film, theatre, and television performances from the 1970s, 80s, and 90s, as well as the various encounters and artistic relationships he developed with musicians from John Lennon, Lou Reed, and Iggy Pop to Trent Reznor and Arcade Fire. And of course, discusses in detail his much-heralded and critically acclaimed finale with the release of Blackstar just days before his shocking death in New York.
Rather than showing a great Christopher Bray love of duelling , he seems to have a great love Tony Visconti , the autobiography : Bowie , of seeing it stamped out . “ Happily , a duel was Bolan and the Brooklyn boy averted when both men ...
'There were a few nights when David [Bowie] came over and we jammed,' recalled Tony Visconti in his autobiography. 'Marc and David on guitars and me on bass. It never ever occurred to me to run the tape recorder, this was such early ...
Author: Lesley-Ann Jones
Publisher: Hachette UK
Category: Biography & Autobiography
*** By the Sunday Times bestselling author of BOHEMIAN RHAPSODY *** From mod folk artist to flower power pixie elfin to the king of glam rockers, Marc Bolan was the ultimate chameleon. His far-reaching musical and stylistic influence is more relevant today than ever with hits such as 'Ride A White Swan', 'Children Of The Revolution', 'Get It On' and 'Hot Love' as fresh and exhilarating as when first released. At the peak of his popularity during his lifetime Bolan was outselling Jimi Hendrix and The Who, and yet relatively little is really known about the hypnotic, enigmatic 20th century boy turned 21st century icon. At last, in the 35th anniversary year of his tragic death, Marc Bolan represents the definite biography. Here rock biographer, Lesley-Ann Jones, paints a meticulous portrait of the T-Rex front man. From his childhood growing up in Hackney to his untimely death at the age of 29, Bolan's life was one of relentless experimentation and metamorphoses. Hallucinogenic drugs, wizardry and levitation, alcoholism, tax evasion and a spectacular fall from grace were to punctuate his short life, as he continued to strive to reinvent himself and his music over and over again. Lesley-Ann has been granted access to those who knew Bolan best, including his partner and the mother of his only son, Gloria Jones and his brother, Harry Feld.
As a result, this book provides a deeply intimate and compelling insight into the life and times of an extraordinarily talented guitarist. A man who was tender and caring off the stage, yet fierce and electrifying on it.
Author: Weird & Gilly
Publisher: Bonnier Zaffre
Category: Biography & Autobiography
Mick Ronson was a lot more than just the guitarist for Ziggy Stardust. This fully updated first biography is full of first-hand recollections by those who were closest to him including a foreword by his wife Suzi and a hand-written speech by his daughter Lisa. During the five years it has taken to collate this work, authors Weird and Gilly have spoken to over fifty family members, close friends and colleagues including exclusive interviews with Suzi Ronson, David and Maggi Ronson (brother and sister), Minnie Ronson (mother), Steve Popovich (manager), Lou Reed, Mick Jones, Ian Hunter, Chrissie Hynde, Glen Matlock, Cherry Vanilla, Steve Harley, Bob Harris, Joe Elliott and a host of others. As a result, this book provides a deeply intimate and compelling insight into the life and times of an extraordinarily talented guitarist. A man who was tender and caring off the stage, yet fierce and electrifying on it. Jeff Beck, David Bowie, Ian Hunter and Annette Peacock are just a few of the names that were to become associated with the Mick Ronson legend. He toured with Bob Dylan, played with Mott The Hoople, worked with Lou Reed and produced an impressive number of albums with arresting originality. From his days as a mobile grocer to his performances at Wembley Stadium, this minutely detailed biography also includes scores of unpublished photographs and unseen rarities including: a hand-written six-page autobiography by the man himself, love letters to his first girlfriend, family album photographs and an exhaustive discography. After losing his battle with cancer, Mick passed away in the spring of 1993 at the young age of 46. This book is a salute to his remarkable music and legacy. Fully revised and updated with scores of new unpublished photographs and even more rare memorabilia. 'I was struck by the enormity of Mick's contribution to every record he played on - arrangements, incredible guitar, beautiful backing vocals, classical piano - he did it all, and he was northern and glamorous'
How did the 100 books on this list influence one of the most influential artists of a generation? Heartfelt, analytical, and totally original, Bowie’s Bookshelf is one part epic reading guide and one part biography of a music legend.
Author: John O'Connell
Publisher: Gallery Books
Category: Biography & Autobiography
Named one of Entertainment Weekly’s 12 biggest music memoirs this fall. “An artful and wildly enthralling path for Bowie fans in particular and book lovers in general.” —Publishers Weekly (starred review) “The only art I’ll ever study is stuff that I can steal from.” ―David Bowie Three years before David Bowie died, he shared a list of 100 books that changed his life. His choices span fiction and nonfiction, literary and irreverent, and include timeless classics alongside eyebrow-raising obscurities. In 100 short essays, music journalist John O’Connell studies each book on Bowie’s list and contextualizes it in the artist’s life and work. How did the power imbued in a single suit of armor in The Iliad impact a man who loved costumes, shifting identity, and the siren song of the alter-ego? How did The Gnostic Gospels inform Bowie’s own hazy personal cosmology? How did the poems of T.S. Eliot and Frank O’Hara, the fiction of Vladimir Nabokov and Anthony Burgess, the comics of The Beano and The Viz, and the groundbreaking politics of James Baldwin influence Bowie’s lyrics, his sound, his artistic outlook? How did the 100 books on this list influence one of the most influential artists of a generation? Heartfelt, analytical, and totally original, Bowie’s Bookshelf is one part epic reading guide and one part biography of a music legend.
1 Further to this, while the two performers are often discussed together in fan culture, with their music producer Tony Visconti's autobiography explicitly linking the two in its title – Bowie, Bolan and the Brooklyn Boy (Visconti 2007) ...
Author: Ana Cristina Mendes
Category: Social Science
Addressing the interart, intertextual, and intermedial dimensions of David Bowie’s sonic and visual legacy, this book considers more than five decades of a career invested with a star’s luminosity that shines well beyond the remit of pop music. The book approaches the idea of the star David Bowie as a medium in transit, undergoing constant movement and change. Within the context of celebrity studies, the concept of stardom provides an appropriate frame for an examination of Bowie’s transmedial activity, especially given his ongoing iconic signification within the celestial realm. While Bowie has traversed many mediums, he has also been described as a medium, which is consistent with the way he has described himself. With contributions from a wide range of disciplinary areas and countries, each chapter brings a fresh perspective on the concept of stardom and the conceptual significance of the terms ‘mediation’ and ‘navigation’ as they relate to Bowie and his career. Containing a multitude of different approaches to the stardom and mediation of David Bowie, this book will be of interest to those studying celebrity, audio and visual legacy, and the relationships between different forms of media. It was originally published as a special issue of Celebrity Studies.
This book is the perfect gift for any music lover or fan of The Beatles, and contains a chronological narrative of all the major events of the 1960's.
Author: Richard Havers
Publisher: Chartwell Books
Category: Biography & Autobiography
With such coverage and interest in The Beatles, how can there be anything new to say about the band? This book manages to do so thanks to the remarkable collection of photographs housed in Mirropix, the library of the Daily Mirror, Britain's premiere popular daily. Mirrorpix has a sensational collection of material taken to feed an insatiable desire to see the band, its families, hangers on and what they did. Record launches, publicity events, holidays: everything was photographed and the best of best is presented here in this lavish and exceptional volume.This book is the perfect gift for any music lover or fan of The Beatles, and contains a chronological narrative of all the major events of the 1960's. Each year is given a full spread to diagram each happening of the year, and each photograph is captioned and contextualized with an accurate explanation. The book was compiled by an author with a great pedigree in the music business and in music publishing, and combines exciting photographs with memorabilia and visual snapshots of The Beatle's life and career as Britain's Number 1 band. Anyone who lived through the 1960's remembers The Beatles and with digital remastering of their music, younger generations now know them well too. Their songs will continue to touch the hearts of readers forever.