War-and-the-media-essays-on-news-reporting-propaganda-and-popular-culture Free Download eBook in PDF and EPUB. You can find writing review for War-and-the-media-essays-on-news-reporting-propaganda-and-popular-culture and get all the book for free.


War and the Media

Author: Paul M. Haridakis
Publisher: McFarland
Language:
Number of Pages:
Format Type: PDF, Kindle
Size: 29,65 MB
Download: 284
Read Online: 430

Download


Mass communication is used by governments to support their war efforts while media images are created or manipulated to inform, persuade or guide the consumers of those images. But this book looks beyond the obvious. The contributors examine historical and contemporary examples that reflect the role of the media or mass communication or both during wartime. The essays highlight the centrality of communication to the perpetuation and to the resolution of war, suggesting that the symbiotic relationship between communication and war is as important to understand as war itself.


Humor Entertainment and Popular Culture during World War I

Author: Clémentine Tholas-Disset
Publisher: Springer
Language:
Number of Pages:
Format Type: PDF, Kindle
Size: 26,41 MB
Download: 945
Read Online: 1155

Download


Humor and entertainment were vital to the war effort during World War I. While entertainment provided relief to soldiers in the trenches, it also built up support for the war effort on the home front. This book looks at transnational war culture by examining seemingly light-hearted discourses on the Great War.


Sports Fans Identity and Socialization Exploring the Fandemonium

Author: Adam C. Earnheardt
Publisher: Lexington Books
Language:
Number of Pages:
Format Type: PDF, Kindle
Size: 14,83 MB
Download: 393
Read Online: 591

Download


Identity and socialization among sports fans are burgeoning areas of study among a growing cadre of scholars in the social sciences and beyond. Sports Fans, Identity, and Socialization, edited by Adam C. Earnheardt, Paul Haridakis, and Barbara Hugenberg, is an eclectic collection of new studies from accomplished and emerging scholars in the fields of communication, business, geography, kinesiology, psychology, and more, who employ a wide range of methodologies including quantitative, qualitative, and critical analyses.


The 10 Cent War

Author: Trischa Goodnow
Publisher: Univ. Press of Mississippi
Language:
Number of Pages:
Format Type: PDF, Docs
Size: 12,64 MB
Download: 430
Read Online: 595

Download


Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.


War Culture and the Media

Author: Professor of Math and Gresham Professor of Geometry Ian Stewart
Publisher: Fairleigh Dickinson Univ Press
Language:
Number of Pages:
Format Type: PDF, Kindle
Size: 12,37 MB
Download: 183
Read Online: 1287

Download


"What is the role of the British media in our perception of warfare? Are the impressions which we glean from war films, television news reports and newspaper stories reliable? What are the issues - practical and political - involved in bringing reports of armed conflict to our television screens? Are British military institutions fairly represented, and how are enemy forces portrayed? How are ideas of nationalism and patriotism incorporated into the presentation of war?" "These are some of the questions addressed in this new collection of essays. The book is intended to provide students and general readers with a concise introduction to the main arguments and issues surrounding war and the moving image media in 20th century Britain, as well as contributing new perspectives to this increasingly important area of debate." "Among the subjects discussed are: the media build-up to the Gulf War; representations of the First World War; reporting terrorism; British imperialism in film; transmission technologies and the news reporting of armed conflict; the meaning of war-toys and war-games; and postmodernism and military history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Indian Country

Author: Gail Guthrie Valaskakis
Publisher: Wilfrid Laurier Univ. Press
Language:
Number of Pages:
Format Type: PDF
Size: 11,31 MB
Download: 473
Read Online: 1294

Download


Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other. In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today. Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.


Filtering the news

Author: Jeffery Klaehn
Publisher: Black Rose Books Ltd
Language:
Number of Pages:
Format Type: PDF, ePub, Docs
Size: 16,91 MB
Download: 736
Read Online: 251

Download


Argues that there are five classes of "filters" that determine what is "news."


Readings in Propaganda and Persuasion

Author: Garth S. Jowett
Publisher: SAGE
Language:
Number of Pages:
Format Type: PDF, ePub
Size: 17,34 MB
Download: 621
Read Online: 174

Download


Readings in Propaganda and Persuasion: New and Classic Essays is a unique, interdisciplinary collection that brings together contemporary and classic readings to provide significant insights into the practice and theory of propaganda and persuasion. The contents range from seminal essays to articles by well-known writers on propaganda to new essays about responses to contemporary issues and events. This engaging anthology also includes analyses of the relationship between rhetoric, propaganda, and persuasion.


The Media and the Persian Gulf

Author: Philip Lee
Publisher:
Language:
Number of Pages:
Format Type: PDF, ePub
Size: 15,73 MB
Download: 814
Read Online: 452

Download





Art and Pluralism

Author: Nigel Whiteley
Publisher: Liverpool University Press
Language:
Number of Pages:
Format Type: PDF, Mobi
Size: 11,44 MB
Download: 702
Read Online: 1087

Download


Lawrence Alloway (1926-1990) was one of the most influential and widely respected (as well as prolific) art writers of the post-war years. His many books, catalogue essays and reviews manifest the changing paradigms of art away from the formal values of modernism towards the inclusiveness of the visual culture model in the 1950s, through the diversity and excesses of the 1960s, to the politicisation in the wake of 1968 and the Vietnam war, on to postmodern concerns in the 1970s. Alloway was in the right places at the right times. From his central involvement with the Independent Group and the ICA in London in the 1950s, he moved to New York, the new world centre of art, at the beginning of the 1960s. In the early 1970s he became deeply involved with the realist revival and the early feminist movement in art -- Sylvia Sleigh, the painter, was his wife -- and went on to write extensively about the gallery and art market as a system, examining the critic's role within this system. Positioning himself against the formalism and exclusivism associated with Clement Greenberg, Alloway was wholeheartedly committed to pluralism and diversity in both art and society. For him, art and criticism were always to be understood within a wider set of cultural, social and political concerns, with the emphasis on democracy, social inclusiveness, and freedom of expression. Art and Pluralism provides a close critical reading of Alloway's writings, and sets his work and thought within the cultural contexts of the London and New York art worlds from the 1950s through to the early 1980s. It is a fascinating study of one of the most significant art critics of the twentieth century.