The romantic escapades of the irrepressible Wylder sisters continue in Isabella Bradford’s fun, charming, and breathtakingly passionate series—as the wildest of the Wylders turns an arranged marriage into a game of desire to tame a wayward duke. Notorious for her free-spirited antics, Lady Elizabeth Wylder revels in attention—but not the sort that leaves her humiliated when her future husband, the Duke of Hawkesworth, fails to appear for their much-anticipated first introduction. So when a chance encounter leads to a sizzling kiss with a dangerously handsome stranger, she nearly succumbs. The shock of finally meeting her betrothed only to come face to face with her rakish would-be seducer inspires fury—and fans the flames of a fire that both Lizzie and the Duke acknowledge is a most agreeable way to start a marriage. In her husband’s arms, Lizzie knows she has found love. But is the passion that accompanies endless nights of erotic discovery enough to persuade a duke whose scandalous lineage and lifestyle prevent him from giving his heart completely?
In a world of fantasy, two enemies square off against one another: Grimlindus, the general, necromancer and suave lord of evil; and Ariadne, young princess and refugee from the invasion of her homeland and the murder of her family. Ariadne has completed her worldly quests, has read the Book of Kazlos, drunk from the well of the dead god and been bitten by the serpent from the Amazon Continent. She is returning home but is still overwhelmed by the poison of the serpent. Grimlindus and his minions rush to intercept her, to destroy her before she is grown to full power. Meanwhile, her companions are spread all over the world, from the deserts to the jungles the ocean-floor. They all have their own journeys, their own odysseys, to take in order to return. On these journeys, they will collect various shards of knowledge, magic and authority that will assist in the overthrow of Grimlindus’s empire. It is only by avoiding the machinations of Grimlindus and by joining all the shards together, that Ariadne and her friends will finally triumph.
It's 1903. Nora Kelly, twenty-four, is talented, outspoken, progressive, and climbing the ladder of opportunity, until she falls for an attractive but dangerous man who sends her running back to the Old World her family had fled. Nora takes on Paris, mixing with couturiers, artists, and "les femmes Americaines" of the Left Bank such as Gertrude Stein and Sylvia Beach. But when she stumbles into the centuries-old Collège des Irlandais, a good-looking scholar, an unconventional priest, and Ireland's revolutionary women challenge Nora to honor her Irish blood and join the struggle to free Ireland. Author Mary Pat Kelly weaves historical characters such as Maud Gonne, William Butler Yeats, Countess Markievicz, Michael Collins, and Eamon de Valera, as well as Gabrielle Chanel, Gertrude Stein, James Joyce, and Nora Barnicle, into Of Irish Blood, a vivid and compelling story inspired by the life of her great-aunt. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The debut of Oklahoma! in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian’s Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.