Witchcraft... into the wilds leads us through the wilds of nature and back to the roots and bones of witchcraft, a natural witchcraft that works with the seasons and all the natural items that Mother Nature provides, drawing on magical folk lore and a little bit of gypsy magic too. No fancy tools or ceremonial rituals, this is about working with the source. Mother Earth provides us with the changing of the seasons and within that turning of the year she gives us everything we need to work magic with, from natural energy in the form of storms, rain and sunshine to tangible items packed full of magical energy such as seeds, leaves and stones.
Life As a Village Wise Woman in the Wilds of West Cornwall
Author: Cassandra Latham-Jones
Category: Body, Mind & Spirit
This book describes life as a Village Wisewoman in the wilds of West Cornwall. The first part of the book documents the tortuous and sometimes harrowing journey to achieve this unusual occupation. It is a tale that ultimately moves through surviving and into thriving. Cassandras past experiences directly inform her present practice and are intrinsic to being a wisewoman -- she acquires wisdom from actively experiencing and observing the vagaries of life. As part of her work she travels around the country giving talks about her profession, and without exception is asked each time what brought her to become a village wisewoman. Many people want to hear about that journey and this is one of the reasons for deciding to write the book. Following on from this, Cassandra tells of the practice of her craft, which includes many stories and observations regarding the day-to-day experiences of a traditional wisewoman including her personal approach to magic. At present the market is flooded with how-to-do books on witchcraft and associated themes. Almost without exception they inform in an authoritative way often including a cookbook of spells. There is far more to the Craft of the Wise than simply following someone elses recipes for performing magic. It entails old-fashioned qualities such as hard work, discipline, dedication and commitment. This book differs in that it describes the why as well as the how and in that sense challenges the reader to question and explore their own experiences of the worlds magical.
"The most complete and engrossing biography yet of this exotic Southern girl...Excellent."—Liz Smith She was the sex symbol who dazzled all the other sex symbols. She was the temptress who drove Frank Sinatra to the brink of suicide and haunted him to the end of his life. Ernest Hemingway saved one of her kidney stones as a sacred memento, and Howard Hughes begged her to marry him—but she knocked out his front teeth instead. She was one of the great icons in Hollywood history—star of The Killers, The Barefoot Contessa, and The Night of the Iguana—and one of the few whose actual life was grander and more colorful than any movie. Her jaw-dropping beauty, charismatic presence, and fabulous, scandalous adventures fueled the legend of Ava Gardner—Hollywood's most glamorous, restless and uninhibited star. In this acclaimed first full biography of Gardner, Lee Server recreates—with great style and vivid detail—the actress's life, from her beginnings as a barefoot North Carolina farm girl to her heady days as a Hollywood goddess. He paints the full spectacle of her tumultuous private life—including her string of failed marriages to Mickey Rooney, Sinatra and Artie Shaw—and Gardner's lifelong search for adventure and love. Ava Gardner: "Love is Nothing" is both an exceptional work of biography and a richly entertaining read.
Set in the 17th century against the backdrop of political and religious con-flict, the second of Watt's John MacKenzie series is as historically rich and gripping as the last. MacKenzie investigates the murder of a woman accused of witchcraft and he must act quickly when the same accusations are made against the woman's daughter. Superstition clashes with reason as Scotland moves towards the Enlightenment. The 1600s are expertly recreated with a strong sense of history and place.
James Fenimore Cooper (September 15, 1789 – September 14, 1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. He lived most of his life in Cooperstown, New York, which was established by his father William. Cooper was a lifelong member of the Episcopal Church and in his later years contributed generously to it. He attended Yale University for three years, where he was a member of the Linonian Society, but was expelled for misbehavior. Before embarking on his career as a writer he served in the U.S. Navy as a Midshipman which greatly influenced many of his novels and other writings. He is best remembered as a novelist who wrote numerous sea-stories and the historical novels known as the Leatherstocking Tales. Among naval historians Cooper's works on the early U.S. Navy have been well received, but they were sometimes criticized by his contemporaries. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece.
Nola Leary would have been content to stay in Kilcairy, Ireland, healing villagers at her family’s clinic with a mix of magic and modern medicine. But a series of ill-timed omens and a deathbed promise to her grandmother have sent her on a quest to Half-Moon Hollow, Kentucky, to secure her family’s magical potency for the next generation. Her supernatural task? To unearth four artifacts hidden by her grandfather before a rival magical family beats her to it. Complication One: Her grandfather was Mr. Wainwright and the artifacts are lost somewhere in what is now Jane Jameson's book shop. Complication Two: her new neighbor, Jed Trudeau, who keeps turning up half naked at the strangest times, a distraction Nola doesn't need. And teaming up with a real-life Adonis is as dangerous as it sounds, especially when he’s got the face of an angel and the abs of a washboard—can Nola complete her mission before falling completely under his spell?
Rebecca Reisert's mesmerizing first novel re-imagines Macbeth, Shakespeare's classic tragedy of power and madness, through the eyes of a mysterious young woman on a dangerous quest for vengeance. For the girl called Gilly, life in the wilds of Birnam Wood is little more than a desperate struggle for survival. Seven long years have passed since she was first taken in and sheltered by Nettle and Mad Helga, the hut-dwelling wise-women whose inscrutable powers of alchemy and prophecy are feared and reviled throughout good King Duncan's kingdom. Living under the threat of deadly persecution by witch-hunting villagers, the threesome ekes out a life by peddling potions and elixirs, scavenging for food, and robbing the bloodied corpses of Scotland's battle-scarred hills for precious metals and weapons. But Gilly is haunted by recollections of a much brighter life. She clings to fading memories of a time when she was contented and adored -- until tragedy swept all that happiness away and young Gilly's life was changed forever. I have made my life an arrow, and His heart is my home. I have made my heart a blade, and His heart is my sheath....Obsessed with avenging her loss and putting out the fire that still rages in her heart, Gilly has dedicated herself to destroying Macbeth, the boundlessly ambitious man who took away her childhood, and his goading wife. Disguising herself as a poor servant boy, she insinuates herself into their lives and, as she bears horrified witness to Macbeth's violent path to power, Gilly subtly begins to take a hand in the forces governing his fate. But as the culmination of her revenge draws near, Gilly finds her own life at risk when she confronts the troubling legacy of a long-concealed heritage. The Third Witch is a brilliantly imagined, wonderfully satisfying novel. In a riveting story of ruthlessness and revenge, debut author Rebecca Reisert demonstrates a profound understanding of the Bard's timeless drama -- and of the real-life Macbeth upon whom Shakespeare's incarnation is modeled.
C. S. Lewis--On the Christ of a Religious Economy I, Creation and Sub-Creation opens with Lewis on creation, the fall into original sin, and the human condition before God and how such an understanding permeated all his work, post-conversion. For Lewis, Christ, the second person of the Trinity, is the agent of creation and its redeemer. This leads into Lewis's representation through sub-creation: explaining salvation history and the purpose of the creation and the creature through story (The Chronicles of Narnia, The Space Trilogy, Screwtape, etc.), but also the question of multiple incarnations, and the encounters he pens between Aslan-Christ and creatures. What does this tell us about the human predicament and our state after the fall? This volume forms the first part of the third book in a series of studies on the theology of C. S. Lewis titled C. S. Lewis: Revelation and the Christ. The books are written for academics and students, but also, crucially, for those people, ordinary Christians, without a theology degree who enjoy and gain sustenance from reading Lewis's work.