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Wittgenstein s mistress

Author: David Markson
Publisher: Dalkey Archive Pr
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Wittgenstein's Mistress is a novel unlike anything David Markson—or anyone else—has ever written before. It is the story of a woman who is convinced—and, astonishingly, will ultimately convince the reader as well—that she is the only person left on earth.


Wittgenstein s Mistress

Author: David Markson
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"Pretty much the high point of experimental fiction in this country."-David Foster Wallace


Wittgenstein s Mistress

Author: David Markson
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"Wittgensteins Mistress is the story of a woman who is convinced - and may ultimately convince the reader as well - that she is the only person left on earth. So appealing is her character, and so witty and seductive her narrative voice, we follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past that have brought her to her present state, so too will her drama become one of the few certifiably original fictions of our time"--P. [4] of cover.


Contemporary Fiction and the Ethics of Modern Culture

Author: J. Karnicky
Publisher: Springer
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This book argues for the ethical relevancy of contemporary fiction at the beginning of the twenty-first century. Through reading novels by such writers as David Foster Wallace, Richard Powers, and Irvine Welsh, this book looks at how these works seek to transform the ways that readers live in the world.


The Encyclopedia of Twentieth Century Fiction

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Publisher: John Wiley & Sons
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This Encyclopedia is an indispensible reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over 1 million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in 3 volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngūgī Wa Thiong’o) and their key works Covers the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, sci fi, chick lit, the noir novel, and the avante garde novel) as well as the major movements, debates, and rubrics within the field (censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, Diaspora, and exile)


Music in the Words Musical Form and Counterpoint in the Twentieth Century Novel

Author: Alan Shockley
Publisher: Routledge
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There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agap?gape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.


This is Not a Tragedy

Author: Françoise Palleau-Papin
Publisher: Dalkey Archive Press
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This Is Not a Tragedy examines David Markson’s entire body of work, ranging from his early tongue-in-cheek Western and crime novels to contemporary classics such as Wittgenstein’s Mistress and Reader’s Block. Having begun in parody, Markson’s writing soon began to fragment, its pieces adding up to a peculiar sort of self-portrait—doubtful and unsteady—and in the process achieving nothing less than a redefinition of the novel form. Written on the verge of silence, David Markson’s fiction represents an intimate, unsettling, and unique voice in the cacophony of modern letters, and This Is Not a Tragedy charts Markson’s attempts to find, in art and language, the solace denied us by life. from This Is Not a Tragedy: “How much of myself is in there? It’s all me. Especially in Reader’s Block, all that personal stuff re: Reader and/or Protagonist, ex-wife, ex-galfriends, children, lack of money, isolation, messed-up life, and/or some items dictated by nov-elistic necessity—and of course there is necessary invention there also, e.g., a house at a cemetery—but even little items like a couple of yellow stones from Masada or a reproduction of Giotto’s Dante—I plucked up whatever was ready at hand. Is that laziness, or is it what they speak of as using what one knows? Take your pick.”—David Markson to Françoise Palleau-Papin


Fate Time and Language

Author: David Foster Wallace
Publisher: Columbia University Press
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In 1962, the philosopher Richard Taylor used six commonly accepted presuppositions to imply that human beings have no control over the future. David Foster Wallace not only took issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but also noted a semantic trick at the heart of Taylor's argument. Fate, Time, and Language presents Wallace's brilliant critique of Taylor's work. Written long before the publication of his fiction and essays, Wallace's thesis reveals his great skepticism of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor, we witness the developing perspective of this major novelist, along with his struggle to establish solid logical ground for his convictions. This volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's original article and other works on fatalism cited by Wallace. James Ryerson's introduction connects Wallace's early philosophical work to the themes and explorations of his later fiction, and Jay Garfield supplies a critical biographical epilogue.


Every Love Story Is a Ghost Story

Author: D. T. Max
Publisher: Penguin
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The acclaimed New York Times–bestselling biography and “emotionally detailed portrait of the artist as a young man” (Michiko Kakutani, The New York Times) Since his untimely death by suicide at the age of forty-six in 2008, David Foster Wallace has become more than the representative writer of his literary generation—he has become a symbol of sincerity and honesty in an inauthentic age, a figure whose reputation and reach grow by the day. In this compulsively readable biography, D. T. Max charts Wallace’s tormented, anguished, and often triumphant battle to succeed as a novelist as he fights off depression and addiction to emerge with his masterpiece, Infinite Jest. Written with the cooperation of Wallace family members and friends and with access to hundreds of Wallace’s unpublished letters, manuscripts, and journals, this revelatory biography illuminates the unique connections between Wallace’s life and his fiction in a gripping and deeply moving narrative that will transfix readers.


John Barth David Markson

Author: John O'Brien
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John Barth, "Excerpts from The Last Voyage of Somebody the Sailor: a novel in progress"/John Barth, "The Spanish Connection"/Ilan Stavans, "The Latin American Connection"/Lee Lemon, "John Barth and the Common Reader"/Steven Weisenburger, "Barth and Black Humor"/Carol Booth Olson, "Lost in the Madhouse"/Susan Poznar, "Barth's 'Compulsion to Repeat: Its Hazards and Possibilities'"/Creed Greer, "Abortion Stories: the Sexual Metaphorics of Organizing Barth's Texts"/Heide Ziegler, "The Tale of the Author or, Scheherazade's Betrayal"/Books by John Barth/Joseph Tabbi, "David Markson: An Introduction"/Joseph Tabbi, "An Interview with David Markson"/David Markson, "Reviewers in Flat Heels: Being a Postface to Several Novels"/David Markson, "Healthy Kate"/David Markson, "Be All My Sins Remembered"/Burton Feldman, "Markson's New Way"/Steven Moore, "David Markson and the Art of Allusion"/Leslie H. Whitten, Jr., "Markson and Lowry: Proximity and Distance"/James McCourt, "Come Back, Harry Fannin!"/Edward Butscher, "David Markson's Volcano: Going Down"/Seymour Krim, "A Letter to Holt, Rinehart and Winston"/Evelin E. Sullivan, "Love and the Married Writer: Springer's Progress"/Richard Hauer Costa, "Unsafe Sex and Contraceptive Aesthetics in David Markson's Springer's Progress"/Sherrill E. Grace, "Messages: Reading Wittgenstein's Mistress"/David Foster Wallace, "The Empty Plenum: David Markson's Wittgenstein's Mistress"/Evelin E. Sullivan, "Wittgenstein's Mistress and the Art of Connections"/Thomas McGonigle, "Knowing a Writer"/Donald Honig, "Markson's Progress"/Books by David Markson